Watkins Wood Works Blog
Curvey Lurvey
Posted on 18 August 2010 | 2:00 pm
I've had an idea in my head for a number of years that was inspired by the furniture and buildings of my youth. I have great memories of the Western furniture and designs of the lodges from West Yellowstone through Jackson Hole. The figures left under the bark as insects chewed away the wood were always fascinating to me.
Fast forward a number of years to a "New Yankee Workshop" where Norm builds a cowboy side board in the Molesworth style and the memories of my youth came flooding back. Summers spent sitting in chairs and rockers at the Old Faithful Lodge in Yellowstone with my grandparents as I munched away on mint chocolate chip ice cream cones and traced the insect trails on the furniture with my finger.
After seeing that episode I knew I had to incorporate some Molesworth into some of my pieces. Thomas Molesworth was a Western designer who lived in and was inspired by the Wild West in the early to mid 1900's. His designs reflect those of the local Native American tribes as well as the natural features of wood and insects. He was also inspired by the arts and crafts movement that was going on at the time and incorporated his flare for the West with the simplicity and clean lines of the Arts and Crafts movement. He often used bold colors and materials to add focal points and add life to a piece.
So with that in mind I've added a new series of boxes to my collection. Our Molesworth inspired boxes will use darker woods with rich texture and grain structures that will be at home in the summer cabin or to add a touch of Western flair to any modern home.
Here's a peek at the first go round. It's a his and hers set with matching tops. Hers is quartersawn Bubinga and his is figured Rosewood. They've received the initial coats of finish and will be buttoned up shortly,so stay tuned.
And a close up of the quintessential Molesworth design feature.
State Of The Union
Posted on 17 August 2010 | 12:00 pm
It's a sad day locally for me. Southern Utah has been primarily over looked as being hugely impacted by the credit crunch and housing bubble burst. For a number of years St. George has been ranked in the top 5 places to retire in the US and as a result the housing market was booming. Then the credit cards came due and the contractors went out of business and with them several of the cabinet shops with them. Our local supply shop was holding on and doing the best it could to weather the storm, but I've just learned that it too has fallen victim to the economy. It's a loss to the area that is going to be tough to fill as they were the nearest woodworking supply store in a 200 mile radius.
What does this mean for me? Well, simply it means I'm back to mail order or mass purchases when I travel to Salt Lake City and Las Vegas. It also means those last minute changes or short sights in planning will make or break projects.
It's a shame that another small, indipendant store has fallen victim of the economy.
Houston, we have a problem!
Posted on 16 August 2010 | 3:29 pm
I know this post has been too long in the making. The last time I posted up I was finishing up the final touches on my Kane Tsugi bow front table. Well that has been finished and...well, it's been refinished again.
Unfortunately after it made its debut as an outstanding Christmas gift for my client, it seems I fell victim to the enemy of every wood worker...material movement. When working over the details I really wanted to produce the top as a solid top out of two or three wide pieces. I was concerned about solidly enclosing the top into the frame that is built when using the kane tsugi but thought I had planned through it enough that any movement would be minimal. Unfortunately I still fell victim to mother natures whim.
But before we get to the injuries lets take a look at the finished product. It definitely turned out better than my expectations and was well worth the effort at cold pressing the drawer fronts. The book matching of the drawer fronts also added a spectacular touch.

Cutting through and half blind tails in the Hard Maple was a good test of skill. It allowed for a very true and even cut, but was not forgiving at all. In the end it was definitely worth the effort as the contrast between the buttery maple against the chocolates of the Wenge are absolutely stunning.
The small banding around the legs also added some character and helped the piece feel lighter. As I had mentioned earlier, I was not so happily reminded that although the piece is no longer growing and producing leaves, it is absolutely still very much a living thing.
I thought I had given the top plenty of room to expand and contract with the seasons, but as they say...the best laid plans...The expansion was not too devastating and in all honesty the client was more than willing to allow it to swell in the winter and close up in the summer, I however was not. So back to the shop it came and a new top was produced. This go around I used 1 wide piece which I then sliced into a book matched 3/16" veneer that I attached to a piece of Baltic Birch ply. After it was all said and done the veneer finished down to an approximate thickness of 1/8" which should keep things nice and stable.
So with that all said and done we're off to the next project.
Nearing Completion
Posted on 11 December 2009 | 10:59 am
| I've taken far longer that I had originally planned to post up the latest progress of the Kane Tsugi bow front table. When I finally got back into the shop I had the table case finished up and assembled in no time. Once that was done I could focus my attention on top and just how was I going to address the bow in the front edge and still accomplish the Kane Tsugi? |
| After several hours of deliberation it turned out to be just as straight forward as the other joints in the top. Ultimately I did have to change up the flow of the joint; moving from a side to side flow as in the original side tables into a front to back. This was forced mainly out of the limitations of being able to machine the joint cleanly on the wider plank that was necessary to accommodate the bow in the front. Overall this is of minimal impact to the piece but definitely gives it a different flow. |
| I also side stepped tradition a little as I completed the case of the table before completing the drawers. Historically on curved pieces such as this, where the bowed and banded drawer front becomes a fixed size from the get go, the drawers were completed and the case built around them. In my case I knew I had the drawer fronts sized and set, there was no changing this without starting over. I was able to take the width of the drawer fronts and use this to size the table case openings and ultimately size the table. Not a huge deviation from tradition but more of my reflection of Bill McDowell and his going "gonzo" way of working from time to time. I find myself following this style of wood working more and more as of late. It seems to leave things open for interpretation and allow who knows what to occur...and usually it results in a far better piece than a true structured paper design to product. |
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| You can see in the pics above that I continued with the Asian theme arched rails just as in the earlier side tables. I also added a little something extra to the legs and banded them with some wenge and quartersawn bubinga. It should give some nice flow to the piece and draw the eyes through out it. |
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| The top is a bit oversized as I wanted this to be a true table, so there is about 2" in overhang. |
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| The project is proceeding fairly smoothly now. The drawers have been built and the top is finished. The drawer supports did give me some trouble, requiring two different versions to be produced but it all worked out in the end. Just a part of working gonzo I guess. The piece is now in finishing and should be completed sometime in the next week or so. I think it's going to turn out better than expected. It is a bit larger than I had anticipated or even planned, but I think it's going to be good. |
Progress
Posted on 12 November 2009 | 3:29 pm














